It was very cold inside this condemned, burnt house: so cold that when I looked through my camera's viewfinder, my breath instantly froze on the handle. In the silence of the house, the air felt heavy, some oppressive chain-mail blanket over the junkie's needles and the charcoal remains of things lost in the fire.
The roof had partly collapsed; through it, over the cascades of broken beams and blistered wallpaper, trickled white winter light from the outside – a reminder of another world in the cold, doomed house.
I stood on the kitchen counter, setting up my tripod high over the rotten floor. I aimed my camera's lens into the labyrinth, staying very still as the light slowly filtered onto the film. This result is one of my favorite photographs – a journey from one world to another that is so much more exciting than its origin or destination.
Burnt Plaster, Paper: Calgary, AB, 2008